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Gotta Be This Or That
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Vous avez sélectionné:
Gotta Be This Or That
Partitions à imprimer
29 partitions trouvées
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1
26
Gotta Be This Or That
Gotta Be This Or That
#
Chorale TTBB
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INTERMÉDIAIRE
#
Benny Goodman And His Orchestr
#
Bob O'Connell
#
roconnelljr@verizon
#
Gotta Be This Or That
#
Bob OConnell
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.828094 By Benny Goodman And His Orchestra. By Sunny Skylar. Arranged by Bob O'Connell. A Cappella. Octavo. 4 pag...
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Choral Choir (TTBB) - Level 3 - SKU: A0.828094 By Benny Goodman And His Orchestra. By Sunny Skylar. Arranged by Bob O'Connell. A Cappella. Octavo. 4 pages. Bob OConnell #4790403. Published by Bob OConnell (A0.828094). This is a 4 part A Cappella version of a classic Benny Goodman song. This arrangement is written in a men's 4 part barbershop style but stays true to the original jazz/swing chords of the song.The melody for this arrangement resides mainly in the tenor part. learning tracks are available by contacting me at roconnelljr@verizon.net
$1.99 ≈
$2.71
Gotta Be This Or That (Low Voice)
Gotta Be This Or That (Low Voice)
#
Ligne De Mélodie, (Paroles) et Accords
#
Benny Goodman and His Orchestr
#
Gotta Be This Or That
#
Hal Leonard - Digital
#
SheetMusicPlus
Voice - SKU: HX.1305798 By Benny Goodman and His Orchestra. This edition: scorch. Country,Jazz. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard -...
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Voice - SKU: HX.1305798 By Benny Goodman and His Orchestra. This edition: scorch. Country,Jazz. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #15724. Published by Hal Leonard - Digital (HX.1305798).
$1.99 ≈
$2.71
Sunny Skylar: Gotta Be This Or That for voice, piano and guitar
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Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Jazz
#
Sunny Skylar
#
Virtualsheetmusic
Instantly printable sheet music by Sunny Skylar for voice, piano or guitar of MEDIUM skill level. / standards
Instantly printable sheet music by Sunny Skylar for voice, piano or guitar of MEDIUM skill level. / standards
$6.97 ≈
$9.50
Gotta Be This or That by Benny Goodman - Piano/Vocal/Chords
#
Piano, Voix
#
Benny Goodman
#
Gotta Be This or That
#
Musicnotes
Performed by: Benny Goodman: Gotta Be This or That Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music...
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Performed by: Benny Goodman: Gotta Be This or That Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 7 pages -- Jazz~~Big Band~~Swing~~Traditional Pop
$5.50 ≈
$7.50
Gotta Be This or That by Benny Goodman - Piano Solo
#
Piano seul
#
Benny Goodman
#
Gotta Be This or That
#
Musicnotes
Performed by: Benny Goodman: Gotta Be This Or That Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement does not cont...
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Performed by: Benny Goodman: Gotta Be This Or That Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 4 pages -- Jazz~~Big Band~~Jazz Standards~~Swing~~Traditional Pop~~Fox Trot
$5.50 ≈
$7.50
Gotta Be This Or That
Gotta Be This Or That
#
Chorale SATB
#
INTERMÉDIAIRE
#
Benny Goodman And His Orchestr
#
Nick Schurmann
#
Gotta Be This Or That
#
Nick Schurmann
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.984839 By Benny Goodman And His Orchestra. By Sunny Skylar. Arranged by Nick Schurmann. A Cappella,Barbershop,Ja...
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Choral Choir (SATB) - Level 3 - SKU: A0.984839 By Benny Goodman And His Orchestra. By Sunny Skylar. Arranged by Nick Schurmann. A Cappella,Barbershop,Jazz. Octavo. 4 pages. Nick Schurmann #4840391. Published by Nick Schurmann (A0.984839). SATB barbershop arrangement. Also available in Eb for ease of reading. Ranges: Tenor (soprano) - B3-C#4 Lead (alto) - G#3-A#4 Baritone (tenor) - G#3-G4 Bass - G#2-Eb4.
$1.99 ≈
$2.71
Gotta Be This Or That
Gotta Be This Or That
#
Piano seul
#
Jazz
#
Benny Goodman and His Orchestr
#
Gotta Be This Or That
#
Hal Leonard - Digital
#
SheetMusicPlus
Piano - SKU: HX.283170 By Benny Goodman and His Orchestra. Jazz. 4 pages. Published by Hal Leonard - Digital (HX.283170). ...
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Piano - SKU: HX.283170 By Benny Goodman and His Orchestra. Jazz. 4 pages. Published by Hal Leonard - Digital (HX.283170).
$4.99 ≈
$6.80
Gotta Be This Or That
Gotta Be This Or That
#
Ligne De Mélodie, (Paroles) et Accords
#
Jazz
#
Benny Goodman and His Orchestr
#
Gotta Be This Or That
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.468127 By Benny Goodman and His Orchestra. Jazz. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.468127).
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SKU: HX.468127 By Benny Goodman and His Orchestra. Jazz. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.468127).
$1.99 ≈
$2.71
Gotta Be This Or That (High Voice)
Gotta Be This Or That (High Voice)
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Voix haute
#
Jazz
#
Benny Goodman and His Orchestr
#
Gotta Be This Or That
#
Hal Leonard - Digital
#
SheetMusicPlus
(High Voice) - SKU: HX.470270 By Benny Goodman and His Orchestra. Jazz. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (H...
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(High Voice) - SKU: HX.470270 By Benny Goodman and His Orchestra. Jazz. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470270).
$1.99 ≈
$2.71
You Gotta Be
You Gotta Be
#
Chorale SATB
#
INTERMÉDIAIRE
#
Des'ree
#
Eric Hagmann
#
You Gotta Be
#
Eric Hagmann
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.796807 By Des'ree. By Ashley Ingram and Des'ree. Arranged by Eric Hagmann. A Cappella,Contemporary. Octavo. 9 pa...
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Choral Choir (SATB) - Level 3 - SKU: A0.796807 By Des'ree. By Ashley Ingram and Des'ree. Arranged by Eric Hagmann. A Cappella,Contemporary. Octavo. 9 pages. Eric Hagmann #3689701. Published by Eric Hagmann (A0.796807). An SATB + solo contemporary a cappella arrangement of You Gotta Be by Des'Ree. If you're a fan of the 90's, then you certainly remember this song. Released as a single in 1994 and 1995, this tune was a top-40 success around the world and even reached #2 on the US Adult Contemporary charts. This arrangement grooves along with engaging three-part supporting harmonies that blossom into four or five-part harmony when the tune naturally calls for some color. Each chorus always adds something new to the mix to keep your listeners engaged and excited to hear what will happen next. Straying from the original harmony, the post-bridge chorus plays with the flavor of the song and creates something unique that will certainly stand out from your traditional a cappella arrangement.A challenging tune that will reward your advancing high school or college a cappella ensemble.
$2.25 ≈
$3.07
Gotta Be This Or That
Gotta Be This Or That
#
Piano, Voix
#
Jazz
#
Benny Goodman
#
Standards
#
Gotta Be This Or That
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Benny Goodman. For piano, voice, and guitar (chords only). Jazz; Standards. PV. 7 pages. Published by Hal Leonard - Digital Sheet Music...
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By Benny Goodman. For piano, voice, and guitar (chords only). Jazz; Standards. PV. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
$6.80
Gotta Be This Or That
Gotta Be This Or That
#
Piano, Voix et Guitare
#
Jazz
#
Sunny Skylar
#
Gotta Be This Or That
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Sunny Skylar. Standards. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Sunny Skylar. Standards. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
$6.80
Benny Goodman and His Orchestra: Gotta Be This Or That (Low Voice) - voice & other instruments (low voice)
#
Country
#
Benny Goodman and His Orchestr
#
Virtualsheetmusic
Instantly printable sheet music by Benny Goodman and His Orchestra for voice & other instruments (low voice) of MEDIUM skill level. / country,jazz
Instantly printable sheet music by Benny Goodman and His Orchestra for voice & other instruments (low voice) of MEDIUM skill level. / country,jazz
$1.97 ≈
$2.69
Benny Goodman and His Orchestra: Gotta Be This Or That (High Voice) - voice & other instruments (high voice)
#
Ligne De Mélodie, (Paroles) et Accords
#
INTERMÉDIAIRE
#
Jazz
#
Benny Goodman and His Orchestr
#
Virtualsheetmusic
Instantly printable sheet music by Benny Goodman and His Orchestra for voice & other instruments (high voice) of MEDIUM skill level. / jazz
Instantly printable sheet music by Benny Goodman and His Orchestra for voice & other instruments (high voice) of MEDIUM skill level. / jazz
$2.97 ≈
$4.05
Benny Goodman and His Orchestra: Gotta Be This Or That - voice & other instruments (real book)
#
Ligne De Mélodie, (Paroles) et Accords
#
INTERMÉDIAIRE
#
Jazz
#
Benny Goodman and His Orchestr
#
Virtualsheetmusic
Instantly printable sheet music by Benny Goodman and His Orchestra for voice & other instruments (real book) of MEDIUM skill level. / jazz
Instantly printable sheet music by Benny Goodman and His Orchestra for voice & other instruments (real book) of MEDIUM skill level. / jazz
$2.97 ≈
$4.05
Benny Goodman and His Orchestra: Gotta Be This Or That - piano solo
#
Piano seul
#
INTERMÉDIAIRE
#
Jazz
#
Benny Goodman and His Orchestr
#
Virtualsheetmusic
Instantly printable sheet music by Benny Goodman and His Orchestra for piano solo of MEDIUM skill level. / jazz
Instantly printable sheet music by Benny Goodman and His Orchestra for piano solo of MEDIUM skill level. / jazz
$6.97 ≈
$9.50
Sunny Skylar: Gotta Be This Or That for voice & piano
#
Piano, Voix
#
INTERMÉDIAIRE
#
Jazz
#
Sunny Skylar
#
Virtualsheetmusic
Instantly printable sheet music by Benny Goodman for voice & piano of MEDIUM skill level. / jazz,standards
Instantly printable sheet music by Benny Goodman for voice & piano of MEDIUM skill level. / jazz,standards
$7.97 ≈
$10.87
GOTTA KEEP A WORKIN
GOTTA KEEP A WORKIN
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Piano, Voix
#
INTERMÉDIAIRE
#
Patrick Wisman
#
GOTTA KEEP A WORKIN
#
patrick wisman
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.973566 Composed by Patrick Wisman. Contemporary,Pop,World. Score. 1 pages. Patrick wisman #5314621. Published by p...
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Piano,Vocal,Voice - Level 3 - SKU: A0.973566 Composed by Patrick Wisman. Contemporary,Pop,World. Score. 1 pages. Patrick wisman #5314621. Published by patrick wisman (A0.973566). GREAT NASHVILLE TRACK SONG FOR ALL THE GUYS OR GALS THAT GO TO WORK EVERY DAY. WE HAD A LOT OF FUN WRITING THIS ONE. CAN YOU BELIEVE WE ARE STILL WORKING . AND I LOVE IT. HERES HOPING YOU CAN SING THIS TUNE AND MAKE IT A HIT. COUNTRY OR POP. MOVIE TUNE OR WHATEVER.. PW BMIAFFILIATION. WE'LL BE LISTENING.
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
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Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99 ≈
$13.62
The Glow Worm
The Glow Worm
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Piano, Voix et Guitare
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Johnny Mercer and Paul Lincke
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The Glow Worm
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000275 Composed by Johnny Mercer and Paul Lincke. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-00002...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000275 Composed by Johnny Mercer and Paul Lincke. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000275. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000275). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
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Any Place I Hang My Hat is Home
Any Place I Hang My Hat is Home
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Piano, Voix et Guitare
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Harold Arlen and Johnny Mercer
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Any Place I Hang My Hat is Hom
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000276 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000276 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000276. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000276). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
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Satin Doll
Satin Doll
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Piano, Voix et Guitare
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Billy Strayhorn, Duke Ellingto
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Satin Doll
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000274 Composed by Billy Strayhorn, Duke Ellington, and Johnny Mercer. Standard. 3 pages. Alfred Music - Digital She...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000274 Composed by Billy Strayhorn, Duke Ellington, and Johnny Mercer. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000274. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000274). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
$5.44
Satan's Li'l Lamb
Satan's Li'l Lamb
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Piano, Voix et Guitare
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Harold Arlen and Johnny Mercer
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Satan's Li'l Lamb
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000263 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000263 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000263. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000263). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
$5.44
Hooray for Hollywood
Hooray for Hollywood
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Piano, Voix et Guitare
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Johnny Mercer and Richard A
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Hooray for Hollywood
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000265 Composed by Johnny Mercer and Richard A. Whiting. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-X...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000265 Composed by Johnny Mercer and Richard A. Whiting. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000265. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000265). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
$5.44
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